Surf Instro Review: The Surfaris-Basic Tracks

I was intrigued when I received a professional letter from Paul Johnson's management about the recent The Surfaris release. PJ, a surf-instrumental guitar legend, and this band, one of the originals from the first wave of surf-instrumental, coming together to remake the essential tracks that helped to spawn an entire genre is a significant event. Their influence on the surf-instrumental genre is undeniable, and their music should be appreciated and respected.

Basic Tracks is a title that means more than it implies. These songs set the standard and paved the way for an entire genus of music. They are classics that will never age as long as someone is willing to play them, re-record them, and engage new listeners.

The Surfaris have reformed and updated each song with the crackling sparkle of a cold wave crashing to the shoreline, that shoreline being your ears, mind, and senses. How many versions of "Wipe Out" and "Misirlou" have you heard? I reckon quite a few, but if you are a true instro fan, you never tire of hearing those songs. Look at the mileage groups like The Ventures and artists like Merrell Fankhauser (the original creator of "Wipe Out," in case you did not know) have gotten from their catalogs of extensive material over the years.

There is an apparent reason for this: their music has qualities that people can relate to; it enables listeners to find validation in a particular time or place. This collection is no different, and the effect is the same; the songs sound new and refreshing again.

Songs constructed like this are different; there are no words, just music. That gives each track an edge and flexibility, allowing many types of musical styles to be used and reshaped time after time.

Although this is not common practice, as these songs usually remain intact within the framework of this particular musical style, they can come back again like unlimited refills at a soda fountain, with a little more juice and a twist of lime for flavor.

As the back of this CD says, legends live forever. Yes, they do, and so does their music. 

"Keith "MuzikMan" Hannaleck

February 18, 2003

Tracks:

1. The Wedge

2. Penetration

3. Apache

4. Point Panic

5. Hawaii 5-0

6. Misirlou

7. Wipe Out

8. Similau

9. Link Wray Medley 

Credits:

Robert Watson-Keyboards

David Raven-Drums

Brian Condren Hampton-Percussion

Jim Fuller-Acoustic Guitars

Jay Truax-Bass

Greg Simp-Band Tech

Paul Johnson-Guitar

Jim Pash-Guitar/Saxophone

 

The Final On Vinyl Podcast: Merrell Fankhauser Interview - January 15, 2025

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I have been covering Merrell Fankhauser’s music since 1999, when I conducted a two-part internet (email) interview with him.

This current audio interview was long overdue and was my absolute pleasure. Merrell was one of my primary inspirations when I started reviewing music.

His longevity in the business speaks volumes. He started in the ’60s and is still going strong at 81!

In this interview, he discusses how his music has reached fans over the years and his relationship with keyboard player Nicky Hopkins (Rolling Stones, etc.)

Please sit back and listen to a music legend about how he has stayed fit and successful, and take some time to stream some of the best of his catalog via Spotify.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

January 19, 2025

Space Pop-Surf Review: Merrell Fankhauser-Area 51 Suite

Website: http://www.merrellfankhauser.com

It has been several years since Merrell Fankhauser released new studio recordings (he has also released several compilations and DVDs over the years). Rockin and Surfin was a 2004 release that I enjoyed immensely, so it was no surprise that I had a similar experience listening to the latest release, Area 51 Suite. Please remember, music fans, that Fankhauser has been getting it done in the recording studio since the '60s and has overcome health issues and every other obstacle thrown his way to continue entertaining us all. Two versions of the release are available, the CD and the CD/DVD, which feature music videos and interviews with people from the ET and Sci-Fi community.

 

This collection of tracks, called space pop, is a delightful blend of influences with a significant surf undertone. The subject matter, revolving around space and extraterrestrials, adds an intriguing layer to the instrumental tracks, creating a unique and captivating hybrid of 'space pop.'

 

The first and title track, "Area 51," effectively creates an air of mystery and intrigue. Indeed, that was the intent, so mission accomplished and a great way to open the curtain to the show.

 

"Signals From Zoran, " also an excellent track, takes a page out of the surf-instrumental book.

 

The following track, "Stardazed," is a slower bluesy ballad that puts you in a starry-eyed mood and may have you looking up at the sky, wondering who is out there watching us.

 

"Bimini Road," an underwater rock formation near North Bimini Island in the Bahamas, is a very appropriate surf-blues number that takes you on an underwater adventure. Instrumental music, if it is terrific, takes little time to create a picture of the track title in your mind; here again, Fankhauser succeeds.

 

"Shadow People" is a picturesque instrumental that brings those in the shadows to life. The music flows along and rocks its way into your psyche, making it inevitable to start thinking about unexplained phenomena and people you do not know or why they are here. It's one of the more complex and changing tracks that takes things to another musical level for the artist.

 

Then, to switch things up yet again, "Cocktails In Space" is entirely different from all the previous tracks. It includes a segment with a flute, giving it a new-age feel and texture.

 

When "Crash Landing" comes at you with a synthesizer depicting a spacecraft coming your way and Merrell's guitar kicks in, it forms a spy thriller surf sound that keeps you hooked. This track was the one that reminded me a lot of his previous surf-instrumental work. Many tracks begin with a spacey laser or craft landing-like sound to ensure you stay with the overall Area 51 Suite theme.

 

The biggest treat for old and new fans will be Fankhauser's most prolific track, "Calling From A Star." I go back to 1999 with Merrell, and that is when I first heard of this fantastic track. The title says it all, and his voice is exceptional, backed by perfectly placed instrumentation. I don't think he could have recorded a better track in his long and influential career. Every track offers the listener something different, and even though the premise is visitors from outer space, you will hear the diversity of an artist on display at every turn. Surf, space, pop, rock, blues, and country- about every main genre- get superb coverage on this eclectic slice of musical excellence.

 

This is a solid release and one of Merrell Fankhauser's most exceptional releases in his career. He has made some great music over the years, and this reminds us all once again of his importance to the history of rock music and how his capabilities to entertain have not waned. His candle is still burning brightly, and Area 51 Suite gives you a one-way ticket to the stars.

5/5 Stars

Key Tracks: Area 51, Calling From A Star, Crash Landing

Keith “MuzikMan” Hannaleck-Founder MuzikReviews.com

May 12, 2013

Tracks:

Disc 1

1. Area 51

2. Signals From Zoran

3. Stardazed 

4. Bimini Road 

5. Catalina USO 

6. Crash Landing

7. Aliens In The Mist

8. Shadow People 

9. Cocktails In Space

10. Lost Continent Blues

11. Alien Talk

12. Calling From A Star

 

Disc 2

1. Area 51 

2. Vitina Marcus: Interview

3. Alien Talk

4. Dr. David Jungclaus: Interview

5. Out on the Desert

6. The Little A'le'inn 

7. Beyond The Rainbow

8. Calling From A Star

Review: Susan & The Surftones-Wrap-Around

If you want to Wrap-Around some of the best  surf instro music on the planet, I have just the group to set you straight. Susan Yasinski and her group, The Surftones, blaze a trail in the sand and leave a huge wake in a sea of music with their sizzling instrumental surf rock band.

Not only is Yasinski an inspiration to women everywhere in music, but she has also become a pioneer of a genre. With each successive album the band has released, there has been growth, evolution, and maturity. They proved that they could cover all of the classic first-wave surf-instro hits with proficiency, and over the last few years, they have earned their keep and gained respect as original artists. It is a huge accomplishment in a genre with little room for experimenting and expansion. After hearing this new album, it is more than apparent to me that they have come full circle in their development playing this style of music. Therefore, what could be next to overcome and accomplish? We must find out when a studio album comes out next time.

This album has a vibe and feeling that has never been there before and is very cool. Fresh, tight, crisp sounds come straight at you on tracks like the excellent "Clash "and "Should I Stay Or Should I Go," the impressive curtain closer "Blues Theme," and the reflective and powerful "Lonely Crimson Sea."

The names of the tracks alone invoke visions of pounding surf, beautiful sunsets, and Enrico Morricone films while the music sets the stage. "Ghost Riders In The Sky" has enough to get up and go to give you saddle sores from the fast and furious ride…and what a great version of that classic tune. Think Clint Eastwood and spaghetti westerns, and you will get the picture.

There is enough excellent music on Wrap-Around to create plenty of soundtracks inside your head. Good instrumental music can do that.

The Surftones Are:

Susan Yasinski-Guitar

Avory Gray-Organ

Bob Becker-Drums

Jim Fritz-Bass

Keith "MuzikMan" Hannaleck

December 11, 2002

Tracks:

    01. West 30

    02. Wrap Around

    03. Blondes In Cars

    04. Peter Gunn

    05. Lonely Crimson Sea

    06. Nina’s Empty Glass

    07. More

    08. Moon Woman

    09. Ghost Riders

    10. Leopard Spots

    11. Sand Dreamer

    12. Should I Stay Or Should I Go

    13. Casper Reef

    14. Blues Theme