Sunday, February 15, 2026

Surf Rock Instrumental Review: Del Sotos-Self Titled

 Release Date: November 12, 2021

Label: Altered State of Reverb

Website

Del Sotos are an instrumental surf rock band from Moscow, Russia. They’ve been active since 2011, playing classic-style surf music with reverb-heavy guitars, twangy tones, and a fun, retro vibe inspired by 1960s surf rock (think Dick Dale or The Ventures, but with their own Russian twists).

The band is led by guitarist Roman Sokolov, who reached out to me to share this self-titled release.

The internet makes the world smaller, and this is a perfect example of that! To hear from a band so far away is always such a welcome treat.

“Sweet Girls of St. Petersburg” gets the party started. Right away, I recognized the excellent separation of instruments, allowing listeners to hear the entire band and each instrument individually. I have always appreciated strong production values like that because I listen that way all the time; it helps me appreciate all positions in a band. A great opener with good energy and flair for the retro surf instro sound!

“Reverboard” is their fast mover, coming in just under two minutes. After reading what they were about, I have to say the description is spot on. They are inspired by the progenitors of the genre, like Dale and The Ventures, and this track is a shining example of that sound.

“Yessentuki Number 17 (Sparkling Water)” starts off with, you guessed it, a glass of water being poured (nope, not a wave this time!). Continuing their consistent approach, you will again notice how each instrument stands out with a clear, crisp sound. Cymbals are crashing on this one (a large glass of water?). This is a real mover and a look back at the roots of this music. Their focus is intended to be that way, and they do it all very well.

“Gift Gun” transitions to a different sound with strummed guitar, then the lead comes in with a spaghetti western color and atmosphere. Then they increase the tempo, and it becomes more complex. This is one of my favorites. I loved the scenario they created.

“Moscow River Coast” uses diverse guitar techniques and effective tremolo and reverb. Here, they sound like a modern band, taking bits and pieces of yesteryear and adding their own stamp, creating a real rocker. Loved the non-stop energy as the guitar weaves in and out, and the bass and drums follow beautifully.

“Music for Lap Dancers” is a title you wouldn’t expect on a surf instro album, yet it still carries elements of the genre. I would refer to it as more of a rock instrumental, though. Good work for a nice change in flow.

“Late” is the longest stretch on the album at 3:31. Once again, they change the tempo and in and out of transitions over to some quick picking in between and around the edges. This is very atmospheric, with a surfy edge. Very tasteful guitar notes with measured bottom end.

“Salt Waves” brings the energy level back up to their core retro sound. It’s like saying “The last one was for relaxing and watching the waves,” but this one will make you want to go buy a vintage surf record from one of the ’60s bands! Great guitar work, as you have come to expect on every track.

“Moon Lover” cranks up the energy level another notch, especially with the drums and bass, and then the Hammond organ arrives in all its glory. That sound is always so distinct, adding another element that changes any song. This is the prime mover so far!

“Step to Me” carries a great deal of rhythm and excellent guitar work, with variable tones and an exceptional foundation from the bass and drums. It’s a real toe-tapper, which many of these tracks are. The mood is bright, and the musicianship is spot on.

“Surfing Аround Fort Boyard” gets a little heavier with some superb tremolo work. This is a great way to close out this recording with some high, colorful energy. The power of the music is on display, and their sound is amazing and so addictive!

The Del Sotos release may be celebrating their fifth year in 2026, but what truly matters is how their music transcends time. I felt like I had one foot in the past and one in the present day, which isn’t easily achieved.

Each track combines a dynamic feel with a nod to classic surf rock.  Their musicianship—brilliant guitar lines, powerhouse bass, and forceful drums—sets a new standard for what current surf instro can achieve. This album doesn’t just revisit the genre’s roots; it reinvents them, proving Del Sotos are a force that can’t be ignored.

Credits:

All music & arrangements by Del Sotos, except 11: music by Paul Koulak, arrangement by Del Sotos

Roman Sokolov - guitar

Dmitry Andreev - bass guitar

Nick Radchenkov - drums

Alexey Blohin - Hammond organ (9)


Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 15, 2026


Tracks:

01. Sweet Girls of St. Petersburg 2:28

02. Reverboard 1:57

03. Yessentuki Number 17 (Sparkling Water) 2:00

04. Gift Gun 2:15

05. Moscow River Coast 2:53

06. Music for Lap Dancers 2:02

07. Late 3:31

08. Salt Waves 2:51

09. Moon Lover 2:53

10. Step to Me 2:48

11. Surfing Аround Fort Boyard 2:34


Thursday, February 12, 2026

Surf Music and Art Top 2025 Albums

These are the best surf rock instrumental albums I heard in 2025—and trust me, narrowing it down was brutal. Each one brings something exceptional to the table, from scorching guitar work to hypnotic rhythms that’ll transport you straight to the beach. Whether you’re a longtime surf rock devotee or just curious about what makes this genre so addictive, you’re in for a treat. I’ve included the essentials below, but the full reviews dive deep into what makes each album unforgettable. Don’t just take my word for it—click through and discover your next obsession. 
*Each review includes the Bandcamp player to stream the albums*


#1Frankie and The Pool Boys - Endless Drummer


Endless Drummer
 is a marvelous trip in the way-back sound machine with stellar modern-day production values. The best of both worlds collide for a fantastic and consistent album. My interest did not fade while listening to all 15 tracks. My interest and attention intensified.

Read The Review



#2Las Arañas del Neptuno-Ride The Madam Psychosis Radio Waves

One can never say this brand of surf instro is simplistic; it is quite the opposite. Ride The Madam Psychosis Radio Waves is one of the best surf instro albums of 2025!

Viva! Las Arañas del Neptuno.

Read The Review




#3.  The Fathoms-Hard To Fathom 


Hard To Fathom 
is a superb recording and a fantastic return to form after a protracted absence. Let’s hope this is the beginning of another chapter in the history of one of the greatest surf instro bands of all time.

Read The Review




#4The Woodhavens-Barkada


They are a band with a unique blend of surf-instrumental music and culture, telling you straight away who they are and how it relates to their music.

Read The Review





#5Los Straitjackets-Somos  

Somos is a satisfying return to form for Los Straitjackets. Lovers of instrumental rock will appreciate this recording. It’s solid and consistent from start to finish.

Read The Review

Wednesday, February 11, 2026

Surf Rock Instrumental Review: Intóxicos-End Times

 Release Date: August 20, 2019

Label: Independent

Website 

It’s time to jump back into the music time machine with Intóxicos and their 2019 release End Times.

I think the premise of this album is to send a message about how the “end times” are right around the corner because of all the subject matter in the track titles. In some cases, their music may not reflect the seriousness of the subject matter.

“Disaster” gets things rolling on this serious topic. Being that surf instro music is so much fun, I was not sure how this would sound. I can say right from the start, I never heard disaster sound so good!

“Poison Wave” has a great melodic riff and a 60s-swinging swagger. Excellent transitions featuring standout musicianship create the right atmosphere.

“Pacific Trash Vortex” has a lot going on and many changes throughout. Toe-tapping rhythms, with exceptional bass and drums backing the twangy with reverberating tones flying off the guitar, answer the call of the oceans.

“Last Refugees” has an island feel to it, and the guitars’ flourishes get you sitting under a palm tree on the beach, sipping that tropical drink as the sun bounces off the waves and surfboards. The sounds are hypnotic. Suddenly, it changes dramatically to a reggae beat, sounding like an entirely different track. It’s a brief burst, then back to the piercing guitar lines to finish.

“Invasion pt. 2” jumps right into a sci-fi movie. The music’s pace is significantly faster on this track. And because of that, it’s like imagining running away from the invaders. Weird emanations come from your speakers as the band sweeps you away once again into their world.

“Paradise Simulation” is something they excel at in their music. That is the idea of any good music: creating a scenario in your mind’s eye, a feeling of being there in an imaginary world. The bass and drums are superb once again as the six-string’s transitory nature unfolds.

“Keep Out” is a warning, but do we really want that? This music is so good! The tremolo sounds are strong here. This one really takes off, giving you a slice of their own trademark traditional surf instrumental sound. Very well done!

“Nuclear Alarm” begins with just that, the sound of an oncoming raid. That is something we never want to hear, and I think that’s the point. The tempo indicates a bit of chaos, then there is a big change about three-quarters in, with the tempo slowing down and some very nice guitar lines, then it finishes with a bang, no pun intended!

“Cyberattack” continues at a frenetic pace, like the quickness and purpose of such an attack; it’s decisive and damaging. There are a few points where they slow down, but they end on a high note.

“End Times” begins in a different territory, creating a somber tone and palette. The use of the organ is essential here as the guitar slows things down so you can absorb what this all means. The guitar sounds like bluesy surf, once again making sure it matches the tracks’ implications. Freaky synths enter the atmosphere, and the grand finale is that mushroom cloud entering the sky with a sonic boom. It is the longest track at 3:50 and one of the best.

End Times is a sonically tasty achievement by Intóxicos, proving that surf instrumental music can tackle weighty themes without sacrificing its raw energy and melodic joy. By weaving apocalyptic subject matter through reverb-drenched guitars and driving rhythms, they’ve expanded what the genre can express—showing that twang and tremolo can carry messages as urgent as any lyrics.

This album doesn’t just paint pictures; it redefines the canvas of what surf instro can be.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

February 11, 2026

Tracks:

01. Disaster 2:28

02. Poison Wave 2:14

03. Pacific Trash Vortex 3:13

04. Last Refugees 3:25

05. Invasion pt. 2 2:17

06. Paradise Simulation 2:36

07. Keep Out 2:30

08. Nuclear Alarm 2:15

09. Cyberattack 2:13

10. End Times 3:50